eBook Review: Write the Fight Right

Write The Fight RightWrite The Fight Right by Alan Baxter

My rating: 5 of 5 stars

There’s a lot to be said about the common writing tip, ‘write what you know’, and Write the Fight Right by Alan Baxter is testament to that. Alan is a writer, but his passion for the martial arts truly comes through in this book. His knowledge and understanding on the subject makes this book a resource I’m grateful to have purchased.

All writers have to face a confrontation at some time, or their characters do at least. I find it one of the hardest things to write, so when I found out about this ebook I was quick to get a copy because I need all the help I can get. Also, in a fight or flight situation, I’m the ‘flight’ type of person. I’ve never been in a punch up of any kind…except with my younger brother when we were kids, but that doesn’t really count as those ‘confrontations’ were never serious. I’ve never had any self-defence classes either, so I have no experience to draw from. If faced with a precarious situation my first option would be to flee, if that wasn’t possible I’d probably die of fright.

Write the Fight Right is written in a way that kept me enthralled. Honestly, the words flow so nicely and I was pleased to see little examples which reinforced what the author was trying to get across. He touches on things that a novice to fighting wouldn’t even consider when writing a fight scene. And most importantly, he brings the fight alive on the page and made me believe I could do the same!

If you are a writer, then I highly recommend this book. It’s a resource you cannot be without, especially writers who are not fighters.

Editing Course: Be Aware of What You Edit

As an editor it is part of your job to watch out for things like offensive language and discriminatory wording — but only when it is out of context.

Most of the time, the author does not intend harm or it may be a case of misinterpretation, but the editor must be objective and consider the ramifications of inappropriate use and bring it to the author’s attention.

There are many grey areas that make this difficult such as cultural differences, freedom of speech and inconsistent laws, but the key here is keeping it within context. Ultimately, it is the author’s decision if the wording is changed or not.

Professional Integrity

It’s important to maintain objectivity and independent judgement in thinking when working as an editor, copyeditor or proofreader.

This means being able to think for yourself and being able to discuss potential problems with your clients, and remain professional when doing so.

Objectivity means being impartial, intellectually honest and free of conflicts of interest. An editor must be able to put their personal views aside and approach their work on an individual basis. It may mean that you do NOT take on a particular job because you feel so strongly about the topic. Whatever the case, you must always stand back, keep a clear head, do not pass judgement on what you are reading and stay professional.

Confidentiality means that you must never disclose information about the editing project to a third person. Never discuss manuscripts, never share company details, never gossip about your clients. If you do, your client can take legal action against you.

Cultural Awareness means understanding that groups of people have patterns of behaviour and beliefs that may impact on the way they do, say and write things. Words and meanings can be totally different with the groups. What does not offend one group, may highly offend another group. The editor should arrange a client pre-brief (in person or by phone) before editing material to discuss what the author’s intentions are as this will often be beneficial to the editor.

Some Terms You Should Know

Defamation is ‘the communication of a statement that makes a claim, expressly stated or implied to be factual, that may give an individual, business, product, group, government, or nation a negative image’. Source Wikipedia.

Slander is the spoken form of ‘defamation’.

Libel is the written form of ‘defamation’.

Discrimination is the unfavourable or unfair treatment of a person based on their sex, age, religion, physical appearance, sexual orientation or race.

Blasphemy is ‘irreverence toward holy personages, religious artifacts, customs, and beliefs’. Source: Wikipedia.

Editing Course: Moral Rights and Plagiarism

The following notes are extracts from the Copyright Agency Limited (CAL) website.

Copyright Agency Limited
Level 15, 233 Castlereagh Street
Sydney NSW 2000
Phone: 02 9394 7600
Fax: 02 9394 7601
Email: info@copyright.com.au
Website: www.copyright.com.au

What are moral rights?

Moral rights are provided to the creator of works under copyright laws to protect their reputation and their work.

In Australia, moral rights provide creators with three rights:

1. The right of attribution of authorship.
2. The right not to have authorship of their work falsely attributed.
3. The right of integrity of authorship.

This protects the creator from their work being used in a derogatory way that may lead to their reputation suffering.

Moral rights last for the same term as copyright — 70 years after the death of the creator.

Why are moral rights different?

Copyright protects the ‘economic rights’ of a work. In other words, it is aimed at the financial side of things.

Moral rights protect the reputation and integrity of the creator.

Moral rights cannot be held by a company, so the person who wrote the piece retains the moral rights.

What types of works do moral rights apply to?

Moral rights apply to a wide range of works including books, articles, textbooks, poems, songs, plays, film scripts, drawings, paintings, sculptures, musical works, computer programs and films.

What would be considered an infringement?

There are numerous ways that moral rights can be infringed:

  • not attributing a work to its rightful creator
  • falsely attributing a work to someone else
  • producing a falsely attributed work
  • treating a work in a derogatory way (including altering the work)
  • dealing commercially with a work that has been treated in a derogatory fashion

However, the creator can give written consent for their work to be used in another way than how it was created.

Other considerations to be taken into account are the nature of the work, the purpose for which it was created, if the work was created while in employment and if there are more than one author. Some of these may not constitute a breach in moral rights if the use of the work is considered ‘reasonable’.

The law also takes into account ‘relevant industry practice’. For example, an advertising team brainstorm an idea for a single advertisement. It would be difficult to attribute moral rights to every person or a single person, so no attribution would be permitted.

Can moral rights be sold?

No. Unlike copyright, moral rights cannot be transferred or sold.

What is plagiarism?

Plagiarism is when someone tries to present someone else’s work as their own.

An editor and/or publisher must keep an eye open for two things:

1. Work that is a direct copy of another person’s work but has their client’s name on it.
2. Work that paraphrases or summarises someone else’s work but does not credit the original author.

Citing a work means referring to the creator of the work. This can be done in the text or at the end of the text.

Example:

The secret to creativity is knowing how to hide your sources.

— Albert Einstein (1879 – 1955)

What is NOT plagiarism?

  • new and original ideas
  • writing that comes from your own experiences, thoughts and observations
  • writing that is written in your own words and your own voice
  • work written from your own conclusions from studies
  • compiled and stated facts

What is a copying licence?

Copying licences allow organisations to access information but fulfil their legal copyright requirements. The organisation pays an annual fee to CAL and this allows them to use copyright material as long as it is important to their business.

Go to the CAL website to find out more on copyright licences.

Editing Course: What is Copyright?

Most people recognise the copyright symbol, but everyone in the publishing industry needs to know what might cause a copyright issue.

© This is the worldwide symbol that signals a work is owned by someone and no one else has the right to use it. Sounds simple, but it’s a bit more complicated than that.

Firstly, each country has its own laws. In Australia, our laws are administered by the federal Government. The Australian Copyright Council is a non-profit organisation that offers free advice, information and training.

Australian Copyright Council
3/245 Chalmers Street, Redfern NSW 2106
Phone: 02 9318 1788
Fax: 02 9698 3536
Email: cpright@copyright.org.au
Website: www.copyright.org.au

Who Owns the Work?

Anything you write, be it a book, play, course, or piece of music is copyright. To assert your intellectual property right you can use the copyright symbol in the following manner:

© The Publishing Company 2010
© Karen Lee Field 2011

You may also insert the word ‘copyright’ too:

Copyright © The Publishing Company 2010
© Copyright Karen Lee Field 2011

If someone copies your work, it is known as a copyright infringement. However, sometimes you do NOT own the copyright even when you wrote the piece.

If you work for a company or contract to a company and you are paid to write the piece for them, then the company owns copyright, not you. It doesn’t matter if you’ve signed a contract without a intellectual property clause, it is still implicit under the law.

This means you cannot sell the piece to another person or company, as you do not own it. However, there is nothing to stop you writing a similar piece to sell.

Defending Your Copyright

Most authors cannot afford legal representation. This is also the case for many small publishing companies. Mega companies can and do defend their copyright and it costs a lot of money.

Nevertheless, as an author, editor or publisher you must be responsible for making sure you do not breach copyright.

As an editor or publisher, if the manuscript you are working on appears to be a copy of a book you’re read, mention this to the author. People do have similar ideas and maybe it is a coincidence. If, however, it is word for word alarm bells should be ringing. No publisher should publish a manuscript that breaches copyright as they could possibly find themselves in court!

When Does Copyright Expire?

Generally, copyright lasts for seventy years after the death of the creator.

In many cases the rights to books, artwork, songs and other works may have been purchase by another individual or company so copyright continues for much longer.

Never assume a work is out of copyright. You need to be 100% sure before using anything that may be considered an infringement.

What About Book Titles?

Titles are not copyright yet you must be careful as using a title of a highly successful book may be seen as a breach of copyright.

For example, say a book is published with the title ‘Cats’ and, as an editor, you are working on a manuscript with the same title. ‘Cats’ is a word and anyone can use it, but it may be worth mentioning this to the author due to the possibility of future confusion.

Having said that, if the manuscript has the title ‘The Da Vinci Code’ then the publisher would be taking a huge risk and would be wise to suggest the author change the name as the title is synonymous with the successful book and to try and reuse it would be unthinkable. Something related to the title would be much better.

Trademarks

Never use a trademarked name and then defame the owner of it. However, it’s fine to refer to the trademarked product in general.

Example: Jenny took her parents to Gloria Jeans for coffee.

There are two types of trademarks: ™ and ®

™ means registration of the trademark is pending. This can often take months, sometimes years.

® means registration has been approved.

It is illegal to use ® unless approval has been granted.